Generation Hope #1
Jan 2011
What is likely the most gradual ever spin-off from another title, the first issue of this series could just as easily have been Uncanny X-Men #530, as the storyline, characters and art is seamless with an ongoing arc that started at the end of Second Coming and weaved through Uncanny X-Men #’s 526-529. During those issues, the new mutant signatures that became visible upon Hope’s return, known as the “Five Lights”, become known to the reader one at a time over four issues, the fifth being this one. Northstar’s legs and right arm appear in one panel.
After the main story, a very well-written 8pp summary of the character Hope, as told from her own point of view, fills in the reader on her entire backstory. Included in this is the Second Coming storyline and a portion of a panel taken from Uncanny X-Men #524 – the scene up on deck immediately after Nightcrawler was killed by Bastion and the X-Men gather around. Here is a portion of that page as originally printed:

This was actually a full page panel with two insets that was later cropped, rotated 90deg and magnified to form the cover of the second printing of that issue.
For the truly insane, here is a highly magnified image of the reprinted panel from Generation Hope #1. Notice by comparing to the above image, which is scanned from the very upper and right edge of the original page, that the reprinted artwork extends a bit in both the vertical and horizontal where now Dazzler’s entire hair can be seen and slightly more of Northstar, but only a freak obsessed fan would even notice this.
In the actual story of the book, each of the Five Lights muses to themselves some random thoughts about their current situation. One of the Five Lights, Laurie, a blue-skinned Canadian naked mutant girl mentions her possibilities:
My parents would be disappointed. If I was going to be a super hero, they’d want me to be an Avenger. Second choice would be Alpha Flight. (At least I could commute there from home.)
OK, not the greatest shout-out ever (second choice?) but a far cry from Matt Fraction’s outright insults against the team, so I’ll take what I can get from writer Kieron Gillen, who, at least as far as this throwaway line goes, seems to be more pro-Alpha Flight than his soon-to-be writing partner on the Uncanny X-Men title.
Note: there are two variant covers, one of which is inscrutably referred to as the “Transonic Variant” by Greg Land and Frank Martin, and the other is the very pricey “X-Men Montage Variant” by Marko Djurdjevic (misspelled as Djudjevic in the credits), which is taken from a much larger X-Men poster.
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Generation Hope #1 – Transonic (??) Land variant |
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Generation Hope #1 – Djurdjevic variant |


X-Men: To Serve and Protect #1
X-Men #5
Throughout the main battle, Jeffries stays in the control room and is not selected as one of the “tough skin” mutants who cannot be bitten that were sent topside to directly engage the vampire hordes. It’s not clear why Cyclops didn’t ask him to suit up in the Box armor, as he surely could have used Jeffries massive firepower and un-bite-able form up on the deck. We’re used to seeing Jeffries in a much more direct role in battle sequences from countless issues of Alpha Flight than this type of support role which he seems pretty much settled into. This particular issue was really a big chance for him to be involved in the action, and the fact that writer Victor Gischler didn’t have him in mind when collecting metal and glass skinned mutants shows that either his armor-phasing days are simply over or he’s being treasured more for his experience and tech abilities behind the scenes than anything else.


Wolverine #3

Uncanny X-Men #529
Danger, who had been guarding the brig, needed to be distracted long enough for them to steal the prisoner, so Fantomex used his mind-control powers on Mister Jeffries to compel him to indirectly help out with this. He approached Jeffries in the lab under the guise of asking for diagnostic equipment and then things got weird. Weird for a guy whose external brain is a telepathically linked flying saucer that flew out of his mouth, I mean. Jeffries is shown absentmindedly sculpting what appears to be a three-dimensional model of Danger while uttering some very cryptic lines. It’s not clear if he was compelled to do this by Fantomex, if it were all an illusion, or if the guy was actually making a little metal Danger doll when Fantomex walked in. The thing is, it’s so bizarre for him to be doing this and he says such babbling nonsense that it’s just hard to believe that he was sitting there making a metal doll. In any case, it’s a confusing scene until Jeffries is shown talking with italicized speech to indicate he’s under mind control and the reader is reminded, using a caption in the last panel of the page, that Fantomex has hypnosis powers, at which time the reader ought to have some clue that Jeffries is once again being mind controlled.
The last few pages of the book are penciled by Harvey Talibao in an abrupt shift of style from Whilce Portacio’s pencils, but since both of them draw Jeffries with way too much hair, it’s not that relevant. Jeffries is shown again in a few panels on his cliffside date, but since it turned out that the escape party flew off with Danger’s full knowledge anyway, the whole picnic basket plot line became completely useless.
Official Handbook of the Marvel Universe A-Z Update #4
X-Men #4



Wolverine #2


